From La Mela di Newton's New York Debut, March 1, 2007, at St. Bart's Chapel:

1. Music samples require Macromedia Flash. Get Macromedia Flash.. Improvisation a tre
2. Music samples require Macromedia Flash. Get Macromedia Flash.. Biagio Marini (c. 1595-1665) - Capriccio per sonare il Violino a modo di Lira, Op. 8
3. Music samples require Macromedia Flash. Get Macromedia Flash.. Marco Uccellini (c. 1603-1680) - Sonata in C for violin and continuo, Op. 5, No. 5
4. Music samples require Macromedia Flash. Get Macromedia Flash.. Girolamo Frescobaldi (1583-1643) - La Lipparella, Canzona a Canto e Basso
5. Music samples require Macromedia Flash. Get Macromedia Flash.. Jean-Marie Leclair (1697-1764) - Un poco Andante from Sonata in D major Op. 9, No. 3 for violin and continuo
6. Music samples require Macromedia Flash. Get Macromedia Flash.. Jean-Marie Leclair (1697-1764) - Allegro from Sonata in D major Op. 9, No. 3 for violin and continuo

From La Mela di Newton's world debut at The Curtis Institute of Music on February 20, 2007:

7. Music samples require Macromedia Flash. Get Macromedia Flash.. Joseph Bodin de Boismortier (1689-1755) - Largo from Sonata in G major for cello and continuo, Op. 50
8. Music samples require Macromedia Flash. Get Macromedia Flash.. George Frideric Handel (1685-1759) - Allegro from Sonata in d minor for violin and continuo HWV 359A
9. Music samples require Macromedia Flash. Get Macromedia Flash.. Jean-Philippe Rameau (1683-1764) - Les Sauvages from Nouvelles Suites de Piéces de Clavecin, Paris, 1728
10. Music samples require Macromedia Flash. Get Macromedia Flash.. Dario Castelo (c. 1590-1630) - Sonata seconda in d minor for violin and continuo


See Biography and Latest Reviews for La Mela di Newton

Selected Tracks:
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"He seems not restricted by the harpsichord but liberated by it. Party has unusual and fascinating talent; Everything he does is stimulating to hear."
- Nicholas Kenyon - The New Yorker

"Mr. Party's own performances were models of Bach playing that combines complete instrumental and technical mastery with rhythmic vibrancy, interpretive sensitivity and musical authority."
- Allen Hughes - The New York Times